Keine leichte Sache. Lin May Saeed in der GAMeC Review Passe-Avant 2024 Travelling through the Northern mountains of Italy, I payed a visit to the newly launched cultural program of GAMeC—Galleria d’Arte Moderna e Contemporanea di Bergamo. In a close-up onto the work of German-Iraki artist Lin May Saeed (1973–2023), centerpoint of the parcours, I reflect on the project’s title and conceptual intent of "Thinking Like a Mountain".Lin May Saeed, The Liberation of Animals from their Cages III, 2008. Image courtesy of the Estate of Lin May Saeed & Jacky Strenz, Frankfurt/Main. Photography: Jens Heine
Strudel and Melancholia. Re-reading the 9th Biennale Gherdëina
Review Passe-Avant
2024 In this review, I look for traces of melancholia in the artistic works of the 9th
Biennale Gherdëina in Val Gardena, South Tyrol. The piece asks how some
of the works reflect critically on ecological processes in relation to
human presence and ecotourism - particularly in the context of a
biennial in the midst of nature.
Dreaming Buried Promises Anew at the 35th Ljubljana Biennale Review Passe-Avant 2023Co-written with Zishi Han, this review untangles the continuities between the history of the Biennale of Graphic Arts and the latest edition curated by Ibrahim Mahama. Kagiso Patrick Mautloa, Rolling Trolley, 2013. Courtesy the artist and Bag Factory Artists’ Studios
Sonic Tractions Master’s thesis Goethe University, Städelschule 2023 Sparked by Tirdad Zolghadr’s Realty (Hatje Cantz, 2022), this practice-led research focuses on the sound art by Ultra-red and Emeka Ogboh. Linking their urban interventions with ongoing struggles against gentrification in Berlin and Lagos, this paper carves out the potential for sound to move beyond the representative domain, and to nurture “tractions” capable of countering dispossession and infrastructural privatisation.